Tommy Mottola·10h agoWhat I’m Listening to — November 2026In just a couple of weeks, my new book, THE BRONX SCHOOL OF BUSINESS, will be released. As the press cycle ramps up, here’s what I’ve been…
Aaron Davison·15h agoSync Licensing Is a Relationship Business: Why Submitting Your Music Isn’t EnoughOne of the most common approaches musicians take to sync licensing is surprisingly simple. They find a music library accepting submissions…
Prof Amin·1d agoIdeas On Reforming The Music IndustryWhen I was in a Sociology class, a professor gave me an essay to propose about a hypothetical social movement that I wanted to see get…
Nikita Tarasovs·2d agoThree Languages and a Shot ListThe fixer meets us at arrivals with a handwritten sign and a question in a language nobody in our group speaks well. The tour manager…A response icon1A response icon1
the 0613 archive·2d agoBTS: THE BACKBONE OF K-POP. PERIOD.An industry that once struggled to receive global recognition found seven artists who made the entire world pay attention.
Celebrityinvestmentsyt·3d agoMaster P Was Worth $361 Million. Who Owns His Masters Now?Fortune said No Limit owned its masters in 1999. Today the albums carry Priority’s name. Here is what the court files show in between.
Sébastien Lapedra·3d agoA trace is not a memory: human time and musical memoryAssimilating, linking, leaving room to return — why a music archive is not yet a memory
InDigital GEMsbyRafaela Botelho·3d agoSonic Fast Food: When Going Viral Became the Goal of MusicTikTok turned twenty seconds into the most valuable part of a song. What does that mean for artists, labels and brands?A response icon1A response icon1
