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Critical assessments of specific plays, ballets, and theatrical performances across venues and companies.

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Richard Philion

The Australian Ballet’s Oscar: A Review of Christopher Wheeldon’s Ballet

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Review: Maybe Happy Ending’s Planned Obsolescence in B-Flat Major

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Unexpected Debuts Steal American Ballet Theatre’s New Don Quixote, A Review

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Love a Good Play

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Janet Hitchen

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Richard Philion

American Ballet Theatre in Makarova’s Dazzling Paquita: A Review

GYTWill

Paranormal Activity Play Review: Houses Aren’t Haunted, People Are.

Richard Philion

The Australian Ballet’s Oscar: A Review of Christopher Wheeldon’s Ballet

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Tilda Swinton Was Extraordinary. Why Wasn’t I Moved?

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Who to follow

Popular this week

Richard Philion

The Australian Ballet’s Oscar: A Review of Christopher Wheeldon’s Ballet

Jon Malysiak

Tilda Swinton Was Extraordinary. Why Wasn’t I Moved?

Richard Philion

La Bayadère at Paris Opera Ballet, A Review

Kelsey Maurine Brickl

Review: Maybe Happy Ending’s Planned Obsolescence in B-Flat Major

Richard Philion

Unexpected Debuts Steal American Ballet Theatre’s New Don Quixote, A Review

Latest stories

In

Love a Good Play

by

Janet Hitchen

The Lives of Others

Richard Philion

American Ballet Theatre in Makarova’s Dazzling Paquita: A Review

GYTWill

Paranormal Activity Play Review: Houses Aren’t Haunted, People Are.

Richard Philion

The Australian Ballet’s Oscar: A Review of Christopher Wheeldon’s Ballet

Jon Malysiak

Tilda Swinton Was Extraordinary. Why Wasn’t I Moved?

See more stories

Who to follow