LUNA

At iZotope, we’re obsessed with great sound. Our intelligent audio technology helps musicians, music producers, and audio post engineers focus on their craft rather than the tech behind it. We design award-winning software, plug-ins, hardware, and mobile apps powered by the highest quality audio processing, machine learning, and strikingly intuitive interfaces. In media production environments, where budgets are tight and timelines are even tighter, sound is often forced to take a backseat to picture. From flawed location sound to prohibitively expensive ADR to loudness requirements in final delivery, sound quality is compromised too often. iZotope products distinguish themselves by solving seemingly unsolvable audio challenges like these and doing so in a way that’s proven to save both time and money.

With dozens of DAWs to choose from, there's only one that is designed to work like a Harrison, with an analog paradigm that embodies form, function, and sound. Where other DAWs use a computer paradigm, MIXBUS grows from Harrison's distinguished 40-year heritage of platinum records and blockbuster films such as Thriller, Graceland, and Spider-Man. Mixbus is the first full-featured DAW with true analog-style mixing. Harrison has a unique history. In the mid-80s, we developed fully-automated, digitally-controlled analog mixer technology which was adopted by premiere film-mixing facilities around the world. When the digital revolution came, we were asked to convert the analog "processor" into a digital processor, while leaving the control surface unchanged. Film mixers wanted the control surface to work and sound exactly like the analog mixer they were using for previous projects. This required us to develop a digital audio engine that operated and sounded exactly like an analog mixer.